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If you want to use it for reference or derivative works, just ask. Seriously, I don't bite... at least not when people actually have the common sense to ask me first.
It's not that hard. I've permitted many artists to use my work for reference when they had the common courtesy to ask the artist himself. And guess what? Since they were honest and respectful from the very start, many of them are now good friends of mine. In the financial services/real estate biz, they have a very useful rule-of-thumb for all rookie investors: "know before you owe".
Well in our case as artists, the equivalent maxim is "ask before using". And if you happen to forget that, then PLEASE pay attention here : either credit copyrighted work or take it down when notified by the original artist, whichever option the artist prefers.
Once you're notified, ignorance is no longer a valid excuse.
It's a simple rule for life, really. SHOW respect to GET respect.
If you truly like my work and want to use it, first ask if I'm okay with your proposed use of it.
If you can't even do that much, you're actually disrespecting both the artist and his work.
And when in doubt... assume that it IS copyrighted. That's exactly what I did for "Lunch Strikes Back" - I contacted the creator of the original work and got his permission before making my version. Had he withheld his permission I would NOT have gone ahead with my derivative version. And I gave him credit. So I make it no secret that I do indeed "practice what I preach".
And when an artist notifies you that you are using their work without their permission, please take the hint. Don't be a "special snowflake" crybully who thinks he/she/it can "do no wrong". Don't act like you can fool me or fool other artists - we do actually know what our work looks like. Simply give us proper credit, or, if that is somehow too "wounding" to your "pride", then just do yourself and everyone else a colossal Puertasaurus-sized favor, and take down the image altogether. You really want respect from us? Don't escalate things when you KNOW you're in the wrong. Don't try to "justify" theft. Don't be a mendacious jerk-in-denial and ruin the art business (whatever niche you are in) for all the honest hardworking people out there. Don't be that loser.
In other words, don't be like the guy in this story:
King out. Thank you for listening.
It's not that hard. I've permitted many artists to use my work for reference when they had the common courtesy to ask the artist himself. And guess what? Since they were honest and respectful from the very start, many of them are now good friends of mine. In the financial services/real estate biz, they have a very useful rule-of-thumb for all rookie investors: "know before you owe".
Well in our case as artists, the equivalent maxim is "ask before using". And if you happen to forget that, then PLEASE pay attention here : either credit copyrighted work or take it down when notified by the original artist, whichever option the artist prefers.
Once you're notified, ignorance is no longer a valid excuse.
It's a simple rule for life, really. SHOW respect to GET respect.
If you truly like my work and want to use it, first ask if I'm okay with your proposed use of it.
If you can't even do that much, you're actually disrespecting both the artist and his work.
And when in doubt... assume that it IS copyrighted. That's exactly what I did for "Lunch Strikes Back" - I contacted the creator of the original work and got his permission before making my version. Had he withheld his permission I would NOT have gone ahead with my derivative version. And I gave him credit. So I make it no secret that I do indeed "practice what I preach".
And when an artist notifies you that you are using their work without their permission, please take the hint. Don't be a "special snowflake" crybully who thinks he/she/it can "do no wrong". Don't act like you can fool me or fool other artists - we do actually know what our work looks like. Simply give us proper credit, or, if that is somehow too "wounding" to your "pride", then just do yourself and everyone else a colossal Puertasaurus-sized favor, and take down the image altogether. You really want respect from us? Don't escalate things when you KNOW you're in the wrong. Don't try to "justify" theft. Don't be a mendacious jerk-in-denial and ruin the art business (whatever niche you are in) for all the honest hardworking people out there. Don't be that loser.
In other words, don't be like the guy in this story:
The mess inside Asuma17's headtime for the whole community here to know about the complete shittery that is going on with :iconAsuma17:, a brick-brained imbecile who has taken him being "harassed" to a whole new level. To provide some backstory, Asuma17 decided to steal and distort good artwork by people such as Nima Sassani and Scott Hartman, and then claim the work as his own. To combat this, myself and others who were friends decided to join up and inform Asuma every time he blatantly stole someones artwork. Asuma began to call us the "paleo-nazis" to try to give us a bad name, while we commented on the inaccuraries of his work, including his stolen art. About 2 months ago we decided to create a DA group called the Paleo-Nazis, lead by Nima, which I am in. Some discussions have been started recently that include myself, such as the one shown below. Beware, I do use strong language, because I have great reason to.
I think its time to call upon EVERY SINGLE DECENT PERSON here t
King out. Thank you for listening.
The Egyptian Keystone: Mansourasaurus shahinae!
Recently we have this new species of titanosaur from Egypt which helps fill in some HUGE gaps.
Egypt is of course famous for much mythology and lore surrounding the raising of obelisks and pyramid keystones or capstones. Now we can add to that list, the "holy grail" or "keystone" of titanosaur evolution - Mansourasaurus shahinae.
Mansourasaurus shahinae is not all that large by titanosaur standards (the published skeletals shows it at about 8.5m, but I suspect that the neck was a good bit longer than they illustrated, as well as having more than the mere 13 vertebrae drawn here, so more like a total length of 10.5 or 11m at least), but enou
Regarding References
Just a happy jolly reminder to all who come here, please ask before using my work as reference for your work. If I know about it ahead of time, I'm usually okay with it. If you want references, respect the artist. If I see the opposite continuing to happen, I can simply stop posting skeletals here or make them purely pay-to-play (already get contracts so I don't need DA prints revenue, if this whole site died it wouldn't hurt me). Your choice peeps.
Another note; if you need a scale figure, please create your own human silhouette and scale bar. Don't copy mine. It's not that hard.
Argentinosaurus may actually still be the biggest.
I'd been meaning to get around to this for a while...
We all know Argentinosaurus is woefully incomplete. But for the first time we can get a mostly solid ides of what it looked like. For a long time, most Argentinosaurus reconstructions had been either purely speculative (i.e. Greg Paul - though he wasn't too far off the mark given the data available in the 1990s) or based on "cloning" the body of a distant relative (Ken Carpenter most notoriously used Saltasaurus, which as a low-grazing dwarf species, is among the worst models for restoring any fragmentary titanosaur over 20m).
More recently some speculative skeletals have cloned Malawisa
The Chubut Monster is now described and named!
Today the Chubut Monster, possibly the largest dinosaur known, has been published.
There are apparently six specimens from the same site. The largest of them may have exceeded 120 feet in length, and though the paper proposed a maximum mass of 82 tons, I suspect that when restored with the correct rib curvature and soft tissue levels, this animal may have exceeded 115 tons.
The AMNH mount, which is entirely made of fiberglass replicas, appears to be based on the holotype and a few similar-sized specimens. These are still smaller than the individual represented by the gigantic femur on the forklift pallets, which is a bit more eroded than
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